Comments (7)
Major categories:
Loudness
Pitch
Timbre
Spatial
Look at MDS papers for timbre
Look at perceptual coding descriptions
Look at noise reduction artifacts like running water, etc
Also, check out the wheel here:
Letowski, T. "Sound quality assessment: concepts and criteria," in Audio Engineering Society Convention 87, 1988.
from audiowheel.
Another resource:
Wältermann, Marcel, et al. "Underlying quality dimensions of modern telephone connections." INTERSPEECH. 2006.
- Noisiness
- Continuity
- Coloration
- Loudness
from audiowheel.
from audiowheel.
Mihir Sarker mentioned that he had done this work:
M. Sarkar, C. Lan, J. Diaz, B. Vercoe, “The effect of musical experience on describing sounds with everyday words” [abstract], 157th Meeting of the Acoustical Society of America (ASA), Portland, OR, May 18-22, 2009.
M. Sarkar, B. Vercoe, and Y. Yang, “Words that describe timbre: a study of auditory perception through language” [abstract], Language and Music as Cognitive Systems Conference (LMCS-2007), Cambridge, UK, May 11-13, 2007.
M. Sarkar, “Perceptual Synthesizer”, unpublished project presentation, MAS.641, MIT, Cambridge, Mass., USA, Dec. 2005.
from audiowheel.
A few other resources:
A Graphical Assessment Language (GAL) for Spatial Audio
Berg, Jan, and Francis Rumsey. "Identification of quality attributes of spatial audio by repertory grid technique." Journal of the Audio Engineering Society 54.5 (2006): 365-379.
from audiowheel.
Another resource:
Lindau, Alexander, et al. "A Spatial Audio Quality Inventory (SAQI)." Acta Acustica united with Acustica 100.5 (2014): 984-994.
from audiowheel.
Looks like while I got busy working on other stuff, Delta went ahead and made an audio wheel
http://share.madebydelta.com/wp-content/publications/akustik/tek_notat/TECH_Document_Perceptual_characteristics_of_audio_UK.pdf
I'll have to take some time and review it...
Also: http://www.aes.org/e-lib/browse.cfm?elib=17734
from audiowheel.
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